This is simply because most people Click for a larger image. Here are the same HDR settings with our Far-field House shot. Total Number of Shutter Releases for Camera = 466 The average needed among cameras we've tested for this shot is +0.3 EV. You can also see ghosting in the tree branches and leaves from movement between the exposures caused by wind, as well the artificial-looking and uneven exposure when using the Low Smoothing setting. Slightly above average exposure compensation required.*. We don't believe the Nikon D5100 performs any micro-alignment of the two images even though the user manual warns of possible cropping. We found the D5100's internal microphone to be quite sensitive when using Auto gain. The intermediate 1,280 x 720 pixel resolution also has a 16:9 aspect ratio, and is better known as 720p. You can select either a start or end point for a video clip, and save the resulting trimmed video as a new file, and it's also possible to extract single frames from a video. Connectivity. This, of course, is a very subjective matter, and will vary with the application and even the subject matter in question. Click on any thumbnail above to see the full-sized image. The more sophisticated encoding used in the H.264 standard requires quite a bit of processor power to pull it apart and put it back together again, so frame-accurate editing of H.264 requires a fast processor and capable editing program. Again, detail in the shadows was very good, and shadow noise very low. The one foot-candle light level 100 Select Auto ISO senstivity control. systems in digital cameras tend to flatten-out detail in areas of subtle The user can put a limit on the maximum sensitiâ¦ Below you can see the front view size comparison of Nikon D3100 and Nikon D5100. Here are the results with our Far-field House shot. Taking the margin of error into account, dynamic range performance was indeed very similar to the Nikon D7000, which is to say, very good. The D5600 is the latest camera in this latter series, replacing the 18-month-old D5500, which is now getting hard to track down.. Read more: Nikon â¦ (The cyan to blue shift is very common among the digital cameras we test; we think it's a deliberate choice by camera engineers to produce better-looking sky colors.) Face-priority AF -- which can identify up to 35 individual faces within the frame during live view, but an (undisclosed) lesser number during movie capture -- will select the closest subject among the group when adjusting focus. NOTE: This low light test is conducted with a stationary subject, and the camera mounted on a sturdy tripod. Overall, excellent results here, especially when the contrast setting is tweaked. Low Light. As in the earlier consumer-oriented D3100 model, the Nikon D5100's contrast detection-based continuous autofocus mode carries a different name from its phase-detection equivalent. lighting. Take a look below, to see what we mean: In the table above, mousing over a link at the bottom will load the corresponding crop in the area above, and clicking the link will load the full resolution image. AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR. The +1.0 EV exposure did the best job here, as the model's face was still a bit too dim at +0.7 EV. How bright is this? (Noise will be much more visible in subjects with large areas of flat tints and subtle shading than it would in subjects with strong, highly contrasting surface texture.). Face Detection. The graph at right is from the same Stouffer 4110 stepchart image captured as a RAW (.NEF) file, processed with Adobe Camera Raw using the Auto setting, then tweaked manually. Examples are all shot at ISO 100, and include in-camera Fine JPEG, the RAW file processed through Nikon's free ViewNX version 2.1.2 software, and the RAW file processed through Adobe Camera Raw (ACR) version 6.4, then sharpened in Photoshop. Sharpness. The Nikon D5100 records movies using H.264/MPEG-4 AVC compression with Linear PCM audio, and stores them in .MOV files. What makes most sense then, is to specify useful dynamic range in terms of the point at which image noise reaches some agreed-upon threshold. Obviously moving subjects should also be avoided. The higher resolution offers greater flexibility for cropping images or printing at larger sizes. This does mean, though, that the focus target itself may appear soft or slightly out of focus for bodies that front- or back-focused with the reference lens. The Nikon D5100 and the Nikon Z5 are two digital cameras that were announced, respectively, in April 2011 and July 2020. Like most interchangeable lens cameras capable of AF during video, the D5100 has a tendency to pick up autofocus drive noise quite clearly in the audio track of its movie clips. Good wall display prints are possible up to 30 x 40 inches. ISO 25,600 shows a lot more chroma noise, in the form of yellow and purple blotches which also darkens the image. Complete extinction didn't occur until around 3,000 lines in both directions. (RAW format is not supported). The crop above right shows only minimal detail loss due to noise suppression, as the darker areas of the model's hair show a lot of detail. With this standard definition mode, recording frame rates are fixed at either the nominal 30 fps for NTSC, or 25fps for PAL. (Active D-Lighting's effect can be a little subtle in shots like those above, so we decided to use a mouse-over to better show how each setting compares to Off.). See below for how Active D-Lighting and contrast settings help with hot highlights and deep shadows. This can mean that focus operation is still audible, regardless of how slowly you turn the focus ring. The Nikon D5100 gives you four options for high ISO noise reduction: Off, Low, Normal, and High, so you have some flexibility in deciding how much noise to trade for detail. Overall a very impressive performance from the Nikon D5100, on par with the Nikon D7000 to a large extent. As you can see, Active D-Lighting brought up shadow detail while holding on to more of the highlights. Regardless of the metering mode selected, movies will always be recorded using Matrix metering, with the Center-weighted and Spot options available only for still image capture. The effect on moving objects is similar to that of a focal plane shutter in an SLR, but more pronounced, because the video frame is read out much more slowly than the slit of a focal plane shutter moves across the sensor. contrast. The D5100's Linear PCM audio is recorded with a bit depth of 16-bits, and a sampling rate of 48 kHz, plenty enough for good quality audio. That's how a saturation control should work, but we've often found interactions between saturation adjustments and image contrast (and vice versa) on the cameras we test. The Nikon D5100's movie recording functionality is accessed from Live view mode. The saturation adjustment also has almost no impact on contrast. The D5100 kit is sold with the lens shown, the Nikkor 18â55mm AF-S DX (Vibration Reduction) model. The Nikon D5100 has an internal microphone comprising three holes located directly above the D5100 badge on the camera's front panel. If youâre not familiar with the Nikon D5100 digital camera, hereâs a quick guide to its buttons, dials, and other external controls. The series of shots below show the effect of the various Active D-Lighting settings available on the Nikon D5100 on our high-contrast "Sunlit" Portrait scene. You can, however, adjust exposure compensation, and use the Autoexposure Lock button to lock the metered exposure, even after movie capture has already started. The Nikon D5100 pushes dark blues and some darker greens moderately, but actually undersaturates some yellow and cyan tones slightly. Press Menu button Go on shooting menu Select ISO senstivity settings Select ISO sestivity. We'd personally go the Adobe (or other high-quality third-party RAW converter) route here if we were concerned about making the sharpest-looking print possible from the D5100's files. Material on this site may not be reproduced, distributed, transmitted or otherwise used without the prior written consent of The Imaging Resource. To the right is a Type-C Mini HDMI connector, which supports 1080i, 720p, 576p or 480p digital video with stereo digital audio, and offers both automatic resolution sensing, and Consumer Electronics Control support. This is useful if you'd like to for instance record in monochrome, or with more saturated colors, etc. The Nikon D5100 was able to autofocus in complete darkness with the AF assist enabled. Reds were shifted slightly toward orange, cyan was shifted toward blue, and there were slight shifts in some oranges, greens and purples, but shifts were relatively minor. The blue channel was lost in some of the deeper shadows, but shadow noise was very low. If the Mode dial is in the A or M positions, however, you can shoot movies in Aperture-priority mode, with the proviso that you must dial in your desired aperture prior to entering Live View mode, unless you're shooting with a PC-E lens. (You can read details of this test here. This is true at ISO 200 and 400 as well. The H.264/MPEG-4 AVC image compression used by the Nikon D5100 is one of the more compute-intensive formats, and its 1,920 x 1,080 (1080p) resolution means there's a lot of data in each frame to deal with at full resolution. 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